This was a dream project of mine long before I mustered up the courage to start on it. I really wanted to bring out the potential of this design; given that the reference illustration only shows half of Syaoran's outfit, and it is the only image in which he wears it, it was up to me to design the rest of the outfit: namely the torso of the coat, the back of the coat (of which there are no photographs as of yet), and the vest.
Let's start from the bottom: I made the tight black pants out of black stretch sateen. They have two back pockets, which can carry my wallet, keys and phone at a convention.
The blue colors are achieved by two different coordinating fabrics: a top layer of textured medium-weight cotton sateen, and a secondary layer of crepe-back satin. The undershirt and cape are also lined in silver textured sheer organza.
The rips and tears on the cape, sleeves, and bottom hem of the shirt are achieved by burning the raw edges of the fabric with an open flame.
The vest is made of deep black velvet, lined in crinkled black satin, and I hand-embroidered it with white and silver threads. The vest also is embellished with about 50 Swarovski crystals, in the color greige to coordinate with the warm tones of the coat.
The coat is made of black moleskin fabric which is dusted with silver, giving it an overall charcoal grey tone. The gold designs are machine appliqued in gold and white toned satin, and all gold designs are bordered with over 6,000 gold bugle beads which I sewed individually, consuming over 70 hours of my time. Around the bottom of the coat the gold appliques are also embellished with about 720 Swarovski crystals, in the color Light Colorado Topaz. The coat also features six gold colored metal buttons down the front, which hold up the silver colored chains that continue from the front of the coat around the back, and extend across the front. The coat is lined in pewter crepe-back satin.
The armor, gloves, and mask are all made of Wonderflex; layered and painted. The gloves are built on top of black satin gloves, making them easy to pull on and off. The armor straps under my arms and around my chest, while the straps are completely hidden under the cape and coat. The mask is attached to my face with the aid of a headband under my wig and secured with fashion tape.
I'm super proud of this cosplay! I was thrilled to finally be able to wear it at Fanime 2010 and have plans to exhibit it again for photoshoots and future conventions.
*You do NOT have permission to use my design elements. If you would like to incorporate my ideas into your own cosplay, please contact me first.
yeah, we did see each other at those cons as well, i gotta say fanime and AX this year was freaking awesome! the cons could not have been better i think, what about you? what did you think of those two?
I definitely had a great time at those events too. Fanime is my "home" con since I grew up in that area, so it's always my favorite. AX was really good this year too; it ended up being really relaxing and fun for me
yeah since i'm from LA, AX is my home con. the staff was amazing this year and although it was tiring as hell for me, doing like 9 costumes and about 10 gatherings, it was really fun overall!
oooo~ i do wish to see more -detail-! your techniques here are really quite interesting! ok, so first, you burned the edges to create the rips and tears? does that solve the fraying issue in the process? where these polyester based fabrics?
im not exactly sure how you did it cause i cant see too well in the picture, but the idea of using straps beneath the clothing to support armor- awesome. i have thought of doing that, but i havent put it into practice yet.
Thank you! I'm still waiting on photos from another shoot of this cosplay, so when those come out they should show more detail.
For the polyester based fabrics, yes, burning the edges does solve the fraying issue, because the fibers melt together. The outer layer of the cloak is mostly cotton, so it did not melt like the other two layers, but I didn't have too much trouble with fraying
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